Wood

Art.-Nr.: 4108

Soprano c'', plumwood

Art.-Nr.: 4117

Pearwood natural, single holes

Art.-Nr.: 4119B

Pearwood blue, double holes

Art.-Nr.: 4119R

Pearwood blue, double holes

Art.-Nr.: 4207

Alto in g', maple, dark stained: Renaissance-/Earlybaroque Ensemble from Garklein to Great bas

Art.-Nr.: 4208

Alto in g', plumwood

Art.-Nr.: 4217

Alto in f', maple, dark stained:Renaissance-/Earlybaroque Ensemble from Garklein to Great bass

Art.-Nr.: 4218

Alto in f', plumwood

Art.-Nr.: 4317

Pearwood natural, baroque double holes

Art.-Nr.: 4407

Tenor c', maple, dark stained, without key

Art.-Nr.: 4408

Tenor c', plumwood, without key

Art.-Nr.: 4417

Tenor c', marple, dark stained, with fontanella and swallow-tail shaped key Renaissance-/Earlybaroque Ensemble from Garklein to Great bass

Art.-Nr.: 4418

Tenor c', plumwood, with fontanella and swallow-tail shaped key: Renaissance-/Earlybaroque Ensemble from Garklein to Great bass

Art.-Nr.: 4427

Pearwood natural, baroque double holes, double key

Art.-Nr.: 4507

Alto in g', maple, dark stained, with fontanella and swallow-tail shaped key: Renaissance-/Earlybaroque Ensemble from Garklein to Great bass

Art.-Nr.: 4527K

Pearwood natural, baroque double holes, double key

Art.-Nr.: 4607

Great bass c, maple, dark stained, with fontanella and swallow-tail shaped key: Renaissance-/Earlybaroque Ensemble from Garklein to Great bass

Art.-Nr.: 5006

Vivaldi would have loved it – and not just him ... Pearwood, baroque double holes

Art.-Nr.: 5020

Vivaldi would have loved it – and not just him ... Rosewood, baroque double holes

Art.-Nr.: 5022

Vivaldi would have loved it – and not just him ... Castello boxwood, baroque double holes